supported by 5 fans who also own “Morph (B. Denzler)”
The improvisations are a hedgerow teeming with life. Cranc's take on Burn's transcriptions are fantastic revealing all kinds of angles on Bailey's musical mind - well worth comparison with Philip Thomas's takes (have to hear Pat Thomas's versions now!). stchase
supported by 4 fans who also own “Morph (B. Denzler)”
From the title and instrumentation, one would expect meditative music with folk elements, but here it goes in a different direction. Contemplativeness may be a strong component here, but its essence lies in the search for and exploration of new sounds and the reflection of the electroacoustic image within traditional contours. jiristepan